
This is where we begin and end ...


Horace told me to take a close look at the top, between the traffic lights. And there again were the spiralling snakes.
Against one wall, in a glass case, was a three-foot tall model, in bronze, of what looked like an ornate, Deco-style watchtower. Along the top were three coloured lights ...
... I said if it were lying down it would look like a mummy case. There was a framed drawing of it too, a design plan, on the wall. Terri put her hands on them and concentrated.

On either side of the tunnel entrance rose Art Deco towers like stylised radio masts, surmounted by powerful searchlights...
...They reminded me of Flash Gordon-era ray-guns. A spiral staircase ran up their core.

We walked through to the main reading room of the New York Public Library. Under luminescent trompe-l’oeil ceiling paintings of open skies, ranks upon ranks of readers sat in hushed concentration at oak tables

... He pointed left to right. “The elements. Earth. Water. Fire, which is what she holds in her hand. Then Air. Then Ether.”
An octagonal window in the main metal door contained a card giving a number to call in case of alarm malfunction.
“What is this?”
...“It’s the entrance to Water Tunnel Number One," Adam said. The image of the tunnel’s course flashed in my mind. Union Square Park. Madison Square Park. Then it would go on to… I saw it.
One of the stones wobbled slightly as I put my foot on it. It was a smaller one, a five-pointed starfish...
... I kneeled and gently pulled on it to see if it would move further. It lifted like a lid, and underneath was a sealed plastic 35mm film container.
... symbols of radio waves spitting and crackling out into the ether.
We met in a conference room near the top of 570 Lex, several floors away from the sensitive eyes and ears of the newsroom, at nine o’clock sharp...
“Welcome to Dead Man’s Curve,” Terri said. “Right where you’re standing.”
“Hell of a name.”
“Hell of a game. It’s where the cable cars coming up Broadway used to crash or send people flying as they tried to negotiate the bend. There was no way to decelerate. Sound familiar?”
“Tables for chess and checkers only. No loitering,” a sign said. “Two hour limit per table. Free for public use. No gambling or fees.”
The bolts meant something to me too. Indefinable images rushed at me. I placed my hands on the bell, closing my eyes, hearing again the chanting in my dream. Fat Mary Fat Mary Fat Mary …
Someone settled into the seat behind me.
“Don’t turn round, Robert,” a man’s voice said. “It’s time for us to talk.”
“Adam?”
“Just don’t turn round.”
“What the hell?”
...“This is a place of great holiness and great loss, you know? Terrible sadness. Lots of homeless people, lots of desperation, lots of lost faith, lost hope. Then there’s some joy, too. Dancing and singing. If you know where to look.”
"In a curtained room, in a secret bower
Seek the sacred rose, find the holy flower
She’s on display, and ready to play
And none can resist her, once they have kissed her ...
To rescue Moon’s daughter ... Pass the trial by water.”
I walked back to Broadway. The GPS signal returned as I reached the R and the W subway station, the gated grounds of City Hall itself to my right, closed to the public for security reasons. The Quad now said 0.91 miles.
... in the center of the seal stood a figure like a man composed of spinning wheels, or whorls, or a garment of spirals.

